How do you look again at your illustrious profession?
I don’t look again at my profession fairly often however after I do, I really feel very joyful. I’ve tried to do my finest and other people have appreciated it. Nonetheless lots of my songs are evergreen as you talked about. Nevertheless, I’m very nervous in regards to the future. Now, I’ve to put in writing based on right this moment’s technology. I’ve to know their likes and dislikes. It’ll be fairly difficult for me however I’m decided to do my finest.
‘Rangeela’ accomplished 25 years final 12 months. How particular was the movie for you?
It is vitally particular to me as a result of it was the primary movie that was supplied to me by Ram Gopal Varma. Earlier than this, I had written two dub movies for Ramu ji and he was very proud of my work. Once I got here on board for ‘Rangeela’, he knowledgeable me that Rahman was doing the music so I used to be extraordinarily delighted. Instantly after ‘Roja’, Rahman was doing a Hindi movie and it was my first movie too. The specialty of this movie is AR and my mixture. The movie was a success and I obtained the RD Burman Filmfare award additionally for the lyrics. So this movie will all the time be particular for me.
Any fascinating incident that you just want to share from the ‘Rangeela’ days…
There are a lot of anecdotes from the ‘Rangeela’ days that I’ll all the time cherish. Once I obtained the state of affairs for the music, ‘Kya Kare Kya Na Kare’, I used to be sitting at Rahman’s place and questioning what to put in writing. I wrote and erased many variations of the music. I simply murmured, ‘Kya Kare Kya Na Kare’ and voila! I obtained my music. The state of affairs was that Aamir was hesitant to specific his love for Urmila. So I wrote the lyrics and introduced it to Ram Gopal Varma sir. He was so amused by it that he requested me how I got here up with it. I advised him I got here up with it as a result of it was my very own state of affairs. The music went out to turn into an enormous hit.
We hear that there’s an fascinating story behind the music, ‘Tadap Tadap Ke’. Would you prefer to share that with us?
Really, ‘Tadap Tadap Ke’ was not made and meant for ‘Hum Dil De Chuke Sanam’. I had written the music for late director Mukul Anand sir. We had roughly recorded this music with KK. After we heard the story of ‘HDDCS’, we knew this music fits the state of affairs of this movie. We performed it for Sanjay Leela Bhansali and he instantly liked it. He additionally stated that this can be a music that’s providing you with the start, the mid and the top of the movie.
‘Ma Tujhe Salaam’ is one in all your most notable works. How did it occur?
It was the 50th 12 months of Independence of our nation. Rahman was doing an unbiased album with a report label and he referred to as me to Chennai. He mentioned with me the character of the album. He was being launched as an artist by that album and he needed me to put in writing one thing about our motherland. He gave me a tune and I liked it. I used to be listening to the tune time and again in my lodge room and the primary line that got here to my thoughts was, ‘Maa Tujhe Salaam’. I went to his studio and advised him that I’ve give you just one line. I hummed it to him and we had been very joyful.
I’m fortunate that I obtained to put in writing for Nusrat sahab additionally by this album. This was the primary and final music of Rahman and Nusrat sahab collectively which was written by me, ‘Chanda Sooraj Laakho Taare’. I’m joyful that I’ve written for these two legends.
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