Leena’s Maharani was refined, elegant, royal, and is empowered in her personal demeanor. The poise in her gait portrays the epitome of her purity with timeless radiance and majestic epiphany.
The couture – 2021 assortment was adorned with the magic of royalty but drenched with simplicity reflecting the pure soul of a princess of the Mughal period. The gathering mixed delicate hand embroidery with meticulously curated woven textiles with traditional AL royal genuine silhouettes worn by maharanis in palaces within the Mughal period. Via our interpretation, the model aspired to replicate a poetic movement in quantity, layers, and impeccable garment building which characterizes the distinctive great thing about ‘Nazm-e-Mahal’.
The excessive level of this assortment was its vintage brocade saris which had been sourced from the unique wardrobes of the maharanis from their palaces of Rajasthan, and restored by Leena’s personal weavers from Banaras. The warp and the weft of the weaves are infused with pure gold and pure silver strains the method, which has change into extinct through the years. The subdued lovely colors of sunshine turquoise, gentle pink, gentle peach, and vibrant purple coupled with wealthy heavy weaves of the gorgeous vintage saris. These saris converse of the traditional and subdued style and elegance of maharanis of that period, who adorned the fantastic thing about their royal life of their palaces.
The gathering comprised traditional blouses, round lehengas, vintage delicate sarees with jeweled tassels, brocade-woven odhnis with vintage gold materials, and re-interpreted lengthened jackets that may be worn with varied traditional silhouettes.
One other memorable showcase was by Amit GT. The designer showcased’ Scintilla’ which implies a tiny spark of sunshine. Scintilla has at all times allured us, the very first sliver of sunshine on the daybreak or in a pitch darkish sky after we see a star shining or in a complete eclipse the primary spark of sunshine we see is the scintilla. The gathering was an try and depict the exultation nature celebrates by way of good blooms, scintillating constellation, dew drops or snow falls or vivid colors of the sky had been depicted these components by way of water lilies and different blooms, birds, constellations or fireworks and dew drops by way of signature brushstrokes like linear hand embroidery.
This time the sheer scale of the designer’s trains and bustles in robes in addition to lehengas had been much more dramatic and voluminous. It is concerning the scintillating feelings of the bride depicted in her ensembles.
The gathering comprised brush stroke linear embroideries which is now a part of the DNA of the model.
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