Assessment: Primarily based on a novel of the identical identify by Sannapureddi Venkata Ramireddy, director Krish phrases Konda Polam as a story of ‘turning into’. Lush greenery, a novel dialect, herds of goats and a rain-less land transport you to the universe this story is ready in. Coming-of-age tales or rural ones will not be new to Telugu cinema. The movie, nevertheless, manages to maintain you hooked because of the method all of it unfolds.
Ravindranath aka Ravi (Vaisshnav Tej) is a younger man who’s well-educated by his shepherd father in hope that he finds an opulent job within the metropolis. Regardless of attending teaching classes, Ravi finds it laborious to crack the interview or group dialogue spherical it doesn’t matter what he does. His backbone appears to be in a perpetual state of shiver, be it in a boardroom or again house within the village the place he’s continuously requested why he doesn’t have a job but. Despatched to the forest by his grandfather (Kota Srinivasa Rao) for konda polam, Ravi has to study to let go of his fears if he’s to outlive. And much more importantly, if he has to maintain the a whole lot of goats that rely on him alive.
Krish does a stupendous job of establishing the story. The area they reside in has not seen heavy rainfall since years. There’s a water scarcity not only for the people there but additionally the goats the shepherd group take care of. The shepherds name their herd they give the impression of being after pranalu and appear as emotionally depending on them because the unvoiced creatures are on them. The forest they reside close to is beneficiant although. She supplies them with meals and even water when the time comes, aside from makeshift weapons made out of rocks to guard themselves from predators – each the human and animal sort.
There isn’t any dearth of battle if you take a bunch of people and throw them into the forest. They’re simply not the type of ‘battle’ you are often used to seeing in cinema. Aside from combating for his or her life when the specter of a tiger looms giant, deforestation can also be one thing the movie offers with. The tribal group residing there has its personal set of points that nobody can discover a answer from aside from providing empathy. Ravi’s development from a person who shivers on the sight of a snake to at least one who will look a tiger within the eye to guard his personal transports you to an entire one other world. One that’s as exacting because it’s giving. Ravi Prakash will get a transferring monologue that stays with you. Sai Chand makes your coronary heart break when he cries for some rain.
Rakul Preet Singh performs the feisty Obu, Ravi’s reluctant partner-in-crime. The latter could be well-educated however the former is the one who is aware of the world he’s at present residing in. She is aware of her method round not simply the herd but additionally the forest, turning into his guru to show him the ropes. The best way Ravi and Obu’s love story is weaved into the larger story at hand is sweet, even when it leaves you wanting extra at occasions. An oddly positioned dance quantity apart, MM Keeravani’s music does a great job of expressing their love once they can’t. The best way they start to grasp one another’s world additionally works.
Regardless of the robust and distinctive story, the movie suffers from some technical difficulties. Whereas Keeravani’s music is a delight and performs an equal half in bringing Konda Polam to life as a lot as Krish’s course does, his BGM will get overpowering in some scenes. Within the music Shwaasalo, the music doesn’t even dip so that you can hear the traces being spoken. Nasser’s dubbing appears off every time he calls out Ravi’s identify for some motive within the scenes that happen at the us workplace. Whereas the tiger (each actually and figuatively) is sort of as a lot part of the story as the rest, the CGI generally takes away from the in any other case uncooked and pure texture of the movie. And the stakes don’t appear excessive sufficient generally when Ravi makes do with dialogues to avoid wasting the day.
In a movie the place he would not have traces in all scenes, Vaisshnav does a great job of talking together with his eyes. His worry, pleasure, anger and dejection come throughout nicely when he doesn’t speak. He would possibly falter generally however he does a great job for probably the most half. Rakul is a delight as Obu and the dubbing for her character appears nearly pitch-perfect, becoming proper into the pores and skin of the character. She’s a ray of sunshine in an in any other case muted movie. The remainder of the solid is a delight too however the true hero of this movie is the story.
Konda Polam may need its moments the place it misses the mark but it surely will get extra issues proper than fallacious. Give this one an opportunity this weekend should you have been ready for a novel story to be instructed all alongside. This isn’t the movie for you should you’re on the lookout for some masala although.
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